24 January 2016

Sb Sanko's Tentative South Africa Schedule

Hello Soo Shim Kwan students and friends. Here is my tentative schedule for the next 2-3 weeks in South Africa, which will include visits and/or workshops at several dojang.

Tuesday, 26 January: Pretoria, ATC Elarduspark Dojang

Wednesday, 27 January: Groblersdal, Horangi Dojang (Workshop)

Thursday, 28 January: Groblersdal, Horangi Dojang (Workshop & Braai)

Tuesday, 2 February: Potchefstroom, Potch TKD Club

Thursday, 4 February: Potchefstroom, Potch TKD Club

Tuesday, 9 February: Vanderbijlpark, Vaal Dojang (Not confirmed yet)

Thursday, 11 February: Johannesburg, (Exact location still unclear)

Sadly I won't make it to the coastal areas during this trip, unfortunately.

I look forward to training with and seeing you all soon.

27 December 2015

Quick Thoughts on Pattern Interpretation

On a Facebook-group that I belong to, there was recently a discussion with regards to pattern interpretation. It was pointed out that many Taekwondo grandmasters see the forms as nothing more than a combination of blocks-punches-kicks, and that we should not search for deeper or hidden applications in these forms.

I make no secret about it, that for me the primary function of the patterns in ITF Taekwon-Do is to teach certain principles of movement, and that they are not primarily templates for fighting.

However, I do hold the view that the patterns are artistic artifacts; i.e. works of art. If we believe the forms to be works of art then we must accept that they are open to interpretation as are all pieces of art.

The power of art lies not simply in their ability to communicate the artist's original intention, but more importantly, that art can resonate at an individual level with the audience so that each person engaging with good art should experience a unique encounter.

For me, I have always considered the patterns to be analogous to poems, and such a view of the forms have helped me gain wonderful insight into them.

Having said this, as with all artistic interpretation -- there is no single correct answer; however, there are some answers that are obviously wrong. Similarly with pattern interpretation, it is definitely possible to come up with alternative applications; however, some applications are obviously impractical and / or illogical. Sadly, I've seen all too many such nonsensical interpretations of movements in patterns.

It is nearly 2016, and I hope to share some good news soon about my studies. May you all have a blessed festive season and may 2016 be a phenomenal year.

11 November 2015

Sabeomnim Chris van der Merwe

It is with a heavy heart that I announce the passing away of our friend Sabeomnim Chris van der Merwe last Friday, 6 November 2015.

Sabeomnim Chris has been a pivotal behind the scenes figure in the South Africa ITF community. Over his many years of service he held numerous important positions on the SA-ITF's executive board, such as Secretary General, Information Director, and Constitutional Director; he also functioned as National Team Manager during international championships, as NGB representative at important ITF meetings, as the first webmaster for the SA-ITF, and occasionally as the official SA-ITF photographer. It was particularly in his roles as Secretary General and Constitutional Director that he shaped the very core of the organization. Few members know how fiercly Sabeomnim Chris fought behind closed doors on their behalf; how he embodied being a “champion of freedom and justice” for the normal and sometimes disadvantaged Taekwon-Do students all over the country. Sabeomnim Chris also started the Acestes Taekwon-Do Clubs—one of the largest group of Taekwon-Do clubs in South Africa—and is a founding member of the Dan Gun Kwan with whom the Soo Shim Kwan has very close ties. Sabeomnim Chris' progeny students and co-federation heads Sabeomnim Karel Wethmar and Sabeomnim Annari Wethmar of the Dan Gun Kwan has produced more students to represent South Africa abroad than any other Kwan. Indeed, Sabeomnim Chris has left an enduring South African Taekwon-Do legacy.

Sbnim Chris van der Merwe and Sanko Lewis
On a personal note, I have lost a very dear friend. I met Sabeomnim Chris in 2001 at a Dan promotion test. I tested for my second degree black belt; he tested for his first degree black belt. Shortly afterwards I became the webmaster for the SA-ITF, working under Sabeomnim Chris' portfolio, and I took over from him in 2003 as the SA-ITF's Information Director. During this time we became very close friends. During those years I was going through very difficult times (the deaths of family members and loved ones). Sabeomnim Chris was always ready with a listening ear and sage advice. As a friend he also supported my intellectual pursuits and while he never went on to do a doctorate degree, he did much to encourage me to do so—which is something I'm currently busy with. As it was something we often talked about, it saddens me that he will not see me accomplish this goal early next year. Whenever I visited South Africa Sabeomnim Chris and I would make a decided effort to spend some quality time with each other—my visits to South Africa will now always have a gaping hole in them.

C. S. Lewis is known for saying: “Friendship is unnecessary, like philosophy, art… It has no survival value; rather it is one of those things which give value to survival.” Sabeomnim Chris van der Merwe was an important friend to me that definitely imparted value to my life. And I know that he did the same for many, many other people. He is fiercely loved by hundreds of Taekwon-Do practitioners that were fortunate to be his students and his friends. He will be greatly missed.

On behalf of the Soo Shim Kwan I wish to share my condolences to the Dan Gun Kwan, the Acestes Taekwon-Do members, and Sabeomnim Chris' family and friends. We share in your grief.

Rest well my friend. Taekwon!

09 November 2015

Sine Wave Motion Contributes to Vertical Forces

I apologise for not writing more regular posts, but I am quite busy with work and studies. Once I graduate, which will hopefully be towards the end of February next year, I will probably write more frequently again. There have been many ideas running through my head that are aching to be expressed.

However, recently I've seen a number of people talking about “sine wave motion” again. One person, for instance, wrote on Facebook that one sees all these Taekwon-Do power breaking videos online, but they never use sine wave motion. Another thing I read recently was a small scientific experiment where people punched a bag that was equipped with measuring tools and the subjects punched the bag with sine wave motion and without sine wave motion. The results showed that “sine wave motion” added little to no force to the hits—that the punch without sine wave motion was actually better.

To me the statement about breaking and also this experiment is obviously flawed because the vector in these techniques travel horizontally, parallel with the ground. The “sine wave motion” is not intended to add force to techniques that move horizontally.

It is pretty simple and I don't know why people don't get it. I think it is because of the wrong appropriation of the term “sine wave.” It is not meant to be understood as an actual sine wave. What General Choi tried to explain was the displacement of the body's centre of mass along the vertical axis—up and / or down. If you also move forward and so displace the body's centre of gravity along the horizontal axis it mimics the motion of a wave, which he referred to as a “sine wave”. It was maybe not the best semantic choice, but don't get stuck on the term. See the principle.

What principle? Simply: accelerate as much of your body mass through your technique at the target. That's it.

Sometimes this means bending your knees and dropping your weight for a technique that includes a downward vector. Sometimes it means pushing with your legs up for a high technique. Sometimes it means not going up or down but keeping level, as with techniques that travel horizontally towards the target.

For me the “sine wave motion” (yes it is a bad term, but get over it) simply means I'm pushing my centre of mass upward or letting it drop downward, depending on the direction the technique is travelling towards the target.

Now some might say, that's not sine wave! Their reasoning is that ITF Taekwon-Do's “sine wave motion” always have three parts: down-up-down. Once you understand the principle of relaxation, activation, and execution that is taught through the “sine wave motion” one need not exaggerate them as is often done as a training mnemonic with the “sine wave motion.” The “sine wave motion” is a training tool used to teach principles of motion; it is not a cookie cutter that should be stamped onto every technique. Every sensible ITF practitioner knows this.

But enough about that—I've written about the phases of the sine wave motion enough elsewhere; let me quickly explain why I say the above experiment and breaking observations are based on wrong assumptions.

The “sine wave motion” contributes to vertical force—the rotation of the hip contributes to horizontal force. If the target is to be reached at a horizontal plane, adding vertical force (through dropping of the body weight) will not contribute to the force of the technique. However, if the target is at a downward angle so that the vector includes a vertical (i.e. downward angled) trajectory, then dropping the body weight will obviously contribute to the technique's power.

What people don't seem to get is that a large percentage of Taekwon-Do techniques reach their target not directly perpendicularly horizontal, but often at a slight downward angle. In other words, many Taekwon-Do techniques incorporate both horizontal (i.e. hip rotation) and vertical (i.e. body-dropping) forces.

Here are a few examples of techniques to which “sine wave motion” contributes.

Obviously, low techniques where the dropping of your body weight into the technique clearly contributes towards the force of the technique, for instance a low punch, low block, or low kick.

Most middle techniques too. For instance when doing a punch, the arm is not held up at the top level of the shoulders, but a little below the shoulders, so that the punching arm is not exactly parallel with the floor, but actually angled downwards a bit. Imagine standing in front of somebody your own height and punching them in the solar plexus, the fly ribs, or the kidneys. How should your arm be angled to achieve this?

The brachial nerve is reached at a
diagonal angle, not horizontally.
Many people think that the knife-hand side strike where the arm generally ends parallel with the floor reaches the target completely horizontally. This is just one application of the technique and not how I was taught to do it when I started with Taekwon-Do 20+ years ago, nor the main way I teach it. I was taught that it is a strike to the brachial nerve plexus on the nook of the neck just above the clavicle. It is reached with a diagonally angled strike. Examples of similar targets reached with knife-hand side strikes are the solar plexus, ribs and kidneys.

Many blocks in Taekwon-Do divert the attack not merely sideways, but rather sideways and downwards.

Also, when I started Taekwon-Do over two decades ago my instructor insisted that most kicks should reach the opponent at a downward angle. The sidekick was taught as a “stomp”, the front kick as a “trample”, the turning kick as a “clobber” like with a sledgehammer for which you use gravitation to aid you in the technique. High kicks were never prioritized and even when kicks were performed high, the admonition was that you should hit with gravity as the kick was on its way down.

Let me point out that all these examples of "Taekwon-Do work[ing] with gravity" (as my first instructor used to say) are from my basics. These are techniques I learned over twenty years ago in a Taekwon-Do gym where nobody every mentioned “sine wave motion.” I only learned of the term after I had my first black belt.

Setting up breaking boards (or measuring equipment) to be hit with fully horizontally moving techniques are flawed, I think. If you want to test if “sine wave motion” (i.e. the dropping of the body weight into a technique) adds to the force exerted by a technique, then you should set-up the experiment for techniques where this makes sense, where dropping the body weight into the technique is actually measured. That's why, when I teach breaking techniques to my students we hold the breaking boards at various different angles and heights.

05 November 2015

Some Thoughts on Martial Arts and Body Culture

An interest of mine is "Body Culture" (German: "Körperkultur") -- basically the study of cultural ways of moving. Here in Korea where I live I can often very easily recognize a non-Korean from afar or from the back simply by the way they walk; I can also often fairly accurately in the same way recognize Koreans that grew up abroad or lived abroad for a long time. Body movement, like an accent, is "regional".

Something that I slowly researching is how cultural ways of moving affect martial arts. I've already written a bit about it with regards to the "sine wave movement" on this blog and am currently working on a book about the topic (but it will still be a while before it's finished as I'm focusing on my PhD at present).

For this short post I want to show a small example of the relationship between a culture and their way of moving in the martial arts.

The indigenous religion of Japan is Shinto. Although Shinto does not have specific moral “doctrines,” it has a type of moral aesthetic. To quote Shinto priest Motohisa Yamakage: “Shinto conceives of good and evil in aesthetic terms, likening them to straight and curved lines. To the Japanese sensibility, a straight line is inherently beautiful. It need not be rigidly straight, but its emphasis should be forward and positive, signifying organic growth, clarity, and honesty” (The Essence of Shinto, 2012:44, 45).

There is an assumption people have about Karate—that K.arate's linear movements developed for practical purposes based on the idea that the shortest distance between two points is a straight line. What if Karate movements evolved to look the way they do not primarily because of their practicality, but because the cultural “sensibility” is that straight lines are “good,” while curved lines are “evil”? I propose that while this might be a weird concept to accept for people unfamiliar with body culture it becomes less strange once you start to look at the dances of these cultures. I have asserted before that there is a connection between Korean folk dance, Taekkyeon and ITF Taekwon-Do. They all share a particular Korean anapaestic rhythm and a peculiar “bounciness” or what is known in Korean folk dance as “verticality” When one look at Japanese performing arts and dances, one can also see similarities with Karate. Neither is it surprising that Chinese martial arts and Chinese performing arts (Chinese opera) greatly overlap.

The idea that in the traditional martial arts we move in certain ways, that Kata or Patterns are performed in particular ways, strictly based on efficiency or practicality of technique is an assumption. I'm not denying that practical consideration are indeed part of the way the martial arts move, but one cannot deny the influence of a cultural context on the martial arts—of “body culture”. There are reasons all the martial arts around the world do not look and move the same way. If it was all about the most “effective” technique, then there should have been much more uniformity. The cultural context has a big influence on the body culture, and in turn on the martial arts that developed in those cultures. Body culture may be influenced by such obscure things as an aesthetic appreciation of straight lines over curved lines, or the cultural folk rhythms, and many other variables.

What does this mean for martial artists? For one, there is a difference between a martial art which is embedded with a cultural heritage as opposed to a pure (if such a thing exists) combative system. The next time you practise Taekwon-Do, or Shotokan Karate, or Whin Chun, or Capoeira, or Savate, to name just these few martial arts as examples, know that you are not simply learning fighting techniques, you are also learning a particular cultural way of moving your body—you are in fact learning a body culture.

25 August 2015

Introducing the Potchefstroom Dojang's New Logo

The Soo Shim Kwan is very happy to introduce the new logo for the Potchefstroom Taekwon-Do Club (PTC). I started the club in 1998 at the North West University, in South Africa. It is out of the PTC that the Soo Shim Kwan (originally "Potchefstroom Regional Federation") was established in 2001, and so the PTC remains the Soo Shim Kwan's main dojang. The reason for this is twofold. First, as mentioned already, it was the birthplace of our federation; and second, it's affiliation with a university contributes to our goal of "an intellectual understanding and scientific approach to Taekwon-Do" (See the Soo Shim Kwan Charter). The PTC is currently under the great leadership of Instructor Philip de Vos who,  as a mechanical engineer,  continues this legacy.

The new logo was in part inspired by the logo of the North-West University, to indicate our long standing association with this institution. The green, red and blue colours are in darker hues, to echo the dark blue used in the Soo Shim Kwan logo, in which the "dark hue signifies maturity and wisdom." The colours themselves reflect not only the corporate colours of the North-West University, but also resonate with some of the colours used in the ITF Taekwon-Do belt system. The sparring figures, with one fighter throwing a punch and another a jumping back piercing kick, were chosen to symbolize ITF Taekwon-Do's balanced emphasis on both hand and foot techniques. The presence of the Korean calligraphy of the founder of Taekwon-Do, General Choi Hong-Hi, symbolizes our affinity to the style of Taekwon-Do that he orchestrated and its associated Korean heritage.

The first draft of the logo was designed by myself, and aesthetically improved by my once Taekwon-Do senior turned friend, John-Wesley Franklin. Copyright of the Potchefstroom Taekwon-Do Club logo belongs to the Soo Shim Kwan. All rights reserved.

14 August 2015

The Martial Arts as a Discipline and When It's Time to Stop Doing It

A while back I posted the following on 'The Way Martial Arts' -- Facebook page:

There is nothing wrong with practicing martial arts simply as a hobby and recreation. However, there is definitely a difference between those that practice the martial arts as a recreation and hobby, and those for whom it is a 'Way of Life.' When the martial arts become a 'Way', a 'Discipline', it becomes a wonderful journey of self-discovery and growth that transcends simply kicking and punching.

It made me think of my journey in the martial arts, which is in its 21st year currently. During this time I've trained with hundreds if not thousands of people, most of whom are not active in the martial arts anymore. The Taekwon-Do group I started with as a colour belt consisted of several dojang that had about 300 students. Of those 300, less than ten are still active in the martial arts that I know of. (The martial arts community is not that big, so it is not too difficult to keep track of the people that have been practicing for many years.)

My brother and I started our martial art journey together. Unfortunately circumstances have caused him to simply not have the time to devote to martial art practice. For me it was a little different in that when life threw its hardest curve balls at me, the martial arts provided a form of escape, a way to feel normal, a way to deal with the stress. When I went to the dojang, I could forget about not having money to pay my rent, or I could vent my anger through hard training, or I could alleviate depression through the endorphins released from exercise, or I could escape from my isolation through the interaction with fellow martial artists, or conversely sometimes when I wanted to get away from the people I lived with (I used to live in a commune) or the people I worked with, I could go to the dojang. The dojang became a sanctuary of sorts that helped with many problems. But, not all people find such comfort and support from martial arts training. For them it might be found in something else--another activity.

After my 2nd Dan promotion, the examiner gave a little speech to all the candidates. I still remember it, even after so many years has passed. He said that in life priorities will change. Some people, when they get married and have children, or might relocate, start a new job, or something else, and they might choose to give up the martial arts, and that is okay. I agree with him. The martial arts need not be a life long pursuit. For some people it is just a hobby.

However, it might be much more too. It might be a discipline. What the Koreans call "suhaeng" 수행. This is a type of practise, generally a physical practise aimed at mental discipline. For Koreans calligraphy, flower arrangement, or the tea ceremony, and of course many forms of martial arts, may be suhaeng. In Japan, nearly any activity can be considered such a discipline. The idea is to practise and practise and practise a particular activity until it becomes so ingrained, so natural, that it reflects the natural Do, the Tao. When you have mastered your craft to such a level, it has become much more than simply kicking and punching, pouring tea, arranging flowers, or painting characters on rice paper. It becomes a symbol for life itself. A type of meditation and a means to enlightenment.

Often times, when it was a long week, or I'm over worked, I might not feel like going to the dojang--to go kick and punch, to repeat patterns, to practise rolls and break falls, to do the same old basic motions that I have done thousands of times. Not to mention the hour long one way commute it takes me to get to the dojang: the fifteen minute walk to the bus stop, the bus ride, the train ride. After a long day at work that is not something I look forward to. Nevertheless, I go. I go because it has become part of me. I've been practising martial arts regularly for the greater portion of my life. It is a integral part of my life. It has shown me the value of discipline, of starting something and keeping at it, of not quitting even though I might feel like it. Recently one of my students who now joined the military posted the following on his Facebook feed.

The Army had me suffering from Taekwon-Do withdrawals. I miss the intensity, the spirit and perseverance of training in South Korea. In retrospect I can honestly say that Taekwon-Do has helped me tremendously to overcome and excel the physical and mental challenges that Army training has thrown at me this far. Every time I feel demotivated I turn my CTA or drill pad into a 'dojang'. When I run I turn my two mile into 'dojang'. When I shoot I turn it into 'dojang'. When I have to stand at attention I turn those 30 plus or 15 minutes into 'dojang'. When I have to control my emotions I think about those time I got kicked in the face, concussions, back pains, and kicked in the stomach while controlling my emotions in 'dojang'. I always talk about Taekwon-Do at every opportunity and training alone is not as fun. But this is one habit I never want to lose. Thank you Sahbumnim Kim Hoon and Soo-Shim Kwan for helping me achieve this.

He too had found the value in suhaeng. I won't be so brash to say one cannot find such lessons in other disciplines too, but the martial arts do present unique moments for growth. Having to control one's emotions after being kicked in the face is probably quite different from being pricked by a thorn while doing flower arrangement.

The martial arts is a unique journey. It is not for everyone, but keeping at it can definitely be rewarding. Priorities change and if that is the case for you, then be at peace with that. It is okay. Find your passion. One of my friends with whom I used to practise Hapkido, had a long struggle between Hapkido and his music (he is in a band). He couldn't find a balance between the two and eventually had to choose. He chose music. I'm happy for him, and although I know that he misses martial arts, the rewards he gets from following his music passion outweighs his lack in martial arts training. For him it is music that is his true suhaeng. Some people can find that sweet balance between multiple priorities. That is wonderful; but if you can't, it might be better to choose. It is better to follow the Pareto Principle, and focus on the few things that bring the greatest result.

22 July 2015

Introductory Workshop in Seoul

I'll be teaching an Introduction to ITF Taekwon-Do Workshop on behalf of the Seoul Global Village Center, Yeoksam Branch, in Gangnam, Seoul next Friday, 31 July. Participation is free but the space is limited. There is still some space left though, so if anyone is in the area and interested, please contact the Yeoksam Global Village Center directly via the contact details provided in the image below.

Martial Arts Lessons in China

During my recent trip to China I participated in a nine day long camp with (mostly high school and college aged) Chinese students, who I taught various classes. Among the classes I taught were basic martial arts -- a combination of Taekwon-Do and Hapkido. They enjoyed a lot. I focussed mostly on low kicks, basic strikes, and some joint manipulation.

With some of the older students who had a little Taichi Quan experience I did slightly more advanced techniques, including pushing hands drills.

In Korea where Taekwon-Do is losing popularity, Taekwon-Do is gaining popularity in China. Taichi Quan, it seems, is now associated with training for "old people". The opposite is the case in Korea, where Taekwon-Do thought of as a kids activity.

02 July 2015

The 'Soo Shim Kwan' Name

I recently saw a Bruce Lee interview again in which he advises one to become like water. Of course, this immediately made me think about our federation's name: "Soo Shim Kwan" [水心館]. The Chinese characters 水心 that is pronounced Soo-Shim 수심 in Korean, literally translates as Water-Mind.

Originally the name of our federation was Potchefstroom Regional Federation. At the time the federations in South Africa were named after the geographic regions they catered for. This changed in 2003. Many instructors had expanded their dojang representation well beyond particular regions. A chief instructor might have instructors with dojang in multiple provinces. It was then decided that federations need not be confined to particular regions anymore and so the original 11 federations in South Africa chose new names. As one of the original federation heads I knew exactly what name I'd choose, as I had already decided on a name many years before. (Read about the Soo Shim Kwan history here.)

In 1997 I had read an interview in Tae Kwon Do Times in which the Korean concept of Soo Shim was mentioned.

“It is, as the Korean people say, ‘Soo Shim’, water-mind; meaning one who practices the arts will be like water.” Byung Lee, 1997. "Legends of Korea : The Tree" (In Taekwon-Do Times. July.)

It very much resonated with me, and I knew that if I ever have the opportunity to start my own group, that is the name I'll choose as it represents my understanding and approach to the martial arts. These water analogies found in the works of Taoist authors and other Oriental philosophers and also implied in the teachings of great martial artists have always been very important to me. Now, as I live in Korea and study Oriental philosophy, I'm even more convinced about the appropriateness of the name Soo Shim Kwan.

Ironically, few Koreans are familiar with East Asian philosophy and not many know much about even Korean philosophy. When I mention the term Soo-Shim 水心 to the average Korean, they are unlikely to understand the philosophical meaning. One of the meanings of Soo-Shim, based on a different Chinese characters combination denotes the "depths of the ocean" 水深. This is often what Koreans think of when I say Soo-Shim. Another meaning of Soo-Shim, based on another Chinese character combination is "anxiety" 愁心. Unfortunately the study of Chinese characters is not part of the modern school curriculum in Korea anymore. It is, however, the older, more learned Koreans whom have studied the old Chinese characters that immediately grasp the philosophical meaning of our name 水心, and often nod in approval.

I provided a summary of the meaning of our name on our Philosophy page.