Showing posts with label Chon-Ji. Show all posts
Showing posts with label Chon-Ji. Show all posts

20 May 2012

Motion Without (Muscular) Movement

In this post I am going to discuss the way in which ITF Taekwon-Do’s sine wave motion teaches the practitioner to achieve motion without muscular movement; in other words, how to move the body—shift the body’s centre of gravity, without tensing muscles.


The full sine wave motion has three distinct phases in which the body seems to move “down-up-down”, but which is slightly better described as “relax-rise-fall”. In this post I want to speak about an unusual value of the first phase of the sine wave motion—the relax-phase—to actually initiate movement, to cause movement without using any muscular tension. This sounds paradoxical, for all human motion is achieved by tensing muscles. If I want to bend my arm, I need to flex my biceps; conversely, if I want to straighten my arm I need to contract my triceps. For movement to occur there has to be muscles that contract and so manipulate the skeleton like a puppeteer’s strings, or the cables and pulleys in a crane, or the hydraulics in heavy machinery.


Motion Through Relaxation


There is, however, another way that the body can move without any muscular contraction involved. Do this simple exercise: With your arms by your side, bend one arm up towards you as if you are lifting a dumbbell—as your biceps tenses it shortens and causes your arm to bend upwards. To lower your arm again you can go about it in two ways. First, you can contract your triceps (and relax your biceps) and in so doing actively pull your arm back to its original position. Or, second, you can merely relax your biceps  and let your arm fall to your side—instead of your triceps pulling your arm straight, it is gravity’s pull that straightens it. In so doing, you have achieved motion without any activated muscles involved; thus achieving motion without active movement.

The first phase of the full sine wave motion does something similar. The sine wave motion is initiated not by contracting any muscles, but by relaxing muscle. For instance, if you are standing in a walking stance and wish to step forward, the sine wave motion dictates that you will completely relax your front leg, causing your body weight to fall forward towards that leg. Of course, you have to “catch” yourself and activate your leg muscles again lest you completely collapse, but the interesting thing is that you have actually commenced your movement, not by using in muscular tension, but quite the opposite. You have initiated your motion by relaxing!

Of all the different advantages that the initial phase of the sine wave motion has to offer, I think this  “motion through relaxation” is probably the most interesting, and probably one of the most unique contributions the sine wave motion brought to ITF Taekwon-Do. With it you can literally effortlessly shift your body's position. Depending on your initial stance, there are four directions in which you can shift your body weight: forwards, backwards, lateral, or even diagonal.

An Example



In this post I will present an example of lateral body weight shifting achieved through this  “motion through relaxation” method, into a particular intermediate position, and I will illustrate some strategic possibilities that this position and its relation to one's opponent offers. Remember that this is just one example of lateral movement. The effortless way in which forward or backward (or even diagonal) motion can be achieved also offers interesting possibilities.

Let’s look at an example of “motion through relaxation” that is achieved through the first relax-phase in the very first movement of the pattern Chon-Ji. The pattern starts with a low forearm block towards the left. Many instructors fall directly into this block, not passing through the intermediate position. This has a strategic advantage because it is a much quicker way to perform the block than when one actually passes through the intermediate position. However, this particular “motion through relaxation” intermediate position has other benefits. For one, it shifts the body away from the danger, allowing the defender a moment to assess the situation. It also teaches a very useful and practical lesson early on in the practitioner’s training, which will be the focus of the remainder of this post.

Look at the picture in which I move from the “ready position” of the pattern into the first intermediate position. The red line that runs through the first picture is my centre line and, assuming that my opponent is standing in front of me, this is also the likely attack line of my opponent. Without any effort or muscular tension I can shift my body off of the attack line by merely relaxing my weight onto my right leg and in so doing shifting practically all my vital spots out of dangers way. Shifting one’s body weight in this relaxed way occurs surprisingly fast. My new positioning (intermediate position) relative to my opponent also opens up various counter-attack possibilities as the video shows.

The video below begins with the full first movement of the pattern Chon-Ji, then shows how one shifts your body weight into the intermediate position by merely relaxing one leg and dropping your body weight onto that leg, and lastly demonstrates different possible applications from this position.



“Animal” MacYoung's “'great secret' of fighting”

“Gravity is the fastest and most effective way to get your entire body weight in motion! . . . You can move faster by intentionally falling down than you can by trying to muscle your weight out of the way.” – Marc “Animal” MacYoung


Renound self-defence expert Marc “Animal” MacYoung calls this principle the “'great secret' of fighting”. In his book A Professional's Guide to Ending Violence Quickly, MacYoung describes, what he calls the “drop step”. MacYoung's “drop step” and the intermediate position I explored above have much in common as they share the same principle. MacYoung's version is, however, bigger—in ITF Taekwon-Do we find a similar version in other patterns, for instance in Hwa-Rang. Obviously bigger body shifting will require the use of the muscles in the form of side-steps, dodges, and so on. But, once the practitioner understand how this “falling” or “dropping” works, one can easily adjust the technique to different situations. MacYoung's book provides variations and enhancements to his “drop step”, which I'm sure sensible and/or creative students and instructors can infer on their own as well.

In my mind, the sine wave motion, primarily as it is used in the patterns and some pre-arranged sparring, is ultimately a training tool to learn how to easily “get your entire body weight in motion”, preferably with the least amount of effort, and where appropriate by using gravity for this purpose. In this regard, the initial part of the sine wave motion that moves the body into different intermediate positions is especially important as it teaches the practitioner to attain “motion through relaxation”..

10 August 2010

An Introdution to the Philosophy of Chon-Ji

My essay "An Introduction to the Philosophy of Chon-Ji" can be read in Issue #18 of Totally Tae Kwon Do magazine. It is an edited and somewhat expanded version of the essay "A Philosophical Look at Chon-Ji Teul" that I posted on this blog a few weeks back, but sans the reference to the SA-ITF logo. In the essay in Totally Tae Kwon Do I expound somewhat on the trigrams and Palgwae motif and suggest that the last three movements in Chon-Ji refers to the "Mountain"-trigram. I link this to Baekdu Mountain with its beautiful Chon-Ji Lake. The conclusion is also more relevant as it establishes the connection between "Chon-Ji" (and the connections to the Taegeuk and Sam Taegeuk) and the specific world view or philosophy in which the Korean martial arts, including Taekwon-Do, functions:

As “the initial pattern played by the beginner,” Chon-Ji Teul sets the practitioner within a specific worldview. It is a worldview based on ancient Oriental and Korean philosophy. The Chinese Taijitu depicts a universe in balance and the Korean Taegeuk shows Heaven and Earth in balance. The Sam Taegeuk depicts man in balance with Heaven and Earth. There is therefore a possible ascetic interpretation to Chon-Ji Teul: Through the study of Taekwon-Do a human being is to attain harmony with him or herself, and harmony with the universe. This journey towards harmony starts with the initial pattern in Taekwon-Do. This would imply that innate to Taekwon-Do is a quest for achieving harmony: harmony with oneself, harmony with other people, harmony with the Earth, and harmony with Heaven.

05 July 2010

A Philosophical Look at Chon-Ji Tul



A Philosophical Look at Chon-Ji Teul -- Sanko Lewis

The first official pattern of ITF Taekwon-Do is Chon-Ji. The ITF Encyclopaedia defines the first Taekwon-Do pattern as follows:

Chon-Ji [천지/ 天地] means literally "the Heaven the Earth." It is, in the Orient, interpreted as the creation of the world or the beginning of human history, therefore, it is the initial pattern played by the beginner. This pattern consists of two similar parts; one to represent the Heaven and the other the Earth.

In Korean philosophy these two elements (Heaven and Earth) form a syncretic unit often depicted as a red and blue Taegeuk [태극 / 太極] (Korean for the Taijitu). Taegeuk literally means “supreme ultimate.” The symbol is based on the Chinese Taoist idea that all of creation is made up of two opposing forces. These opposing forces are often referred to in the West as Yin-Yang – the Korean term is Eum-Yang. Unlike the Chinese Taijiitu which is usually depicted in black and white, the Korean Taegeuk is usually red and blue. There exists thus a slight difference in the Chinese philosophical understanding of Taijitu and the Korean Taegeuk. Although in essence the same, there is an emphasis in the Korean version on Chon-Ji (i.e. Heaven and Earth). Heaven is symbolized by the red lobe and Earth by the blue lobe in the Taegeuk.

The observant practitioner of Chon-Ji Teul[1] will note that the pattern actually consists of three parts, not two; there are three additional punches at the end (movements 17, 18 and 19). This is actually consistent with another symbol from Korean philosophy known as the Sam Taegeuk [삼태극 / 三太極] (”triple grand ultimate”). The Sam Taegeuk (“sam” meaning three) is a three lobed Taegeuk; the extra yellow lobe representing humanity. The Sam Taegeuk reflects the Korean philosophy of Sam Jae, or Sam Yoso; meaning “Triple Essence,” or the three fundamental essences that defines the universe: heaven, earth, and human being.

Marc Tedeschi explains it in his book Taekwondo: Traditions, Philosophy, Technique as follows: “In this aspect of Korean philosophy, the mind and body are inseparable within a human being, a human being is inseparable from heaven and earth, and heaven and earth are inseparable from each other. Thus, heaven, earth, and human being are destined to exist in unity.”

When looking at the number of movements in each part of the pattern Chon-Ji, it is plausible that the movements have special symbolic meaning as well. The Taegeuk and Sam Taegeuk are often portrayed as surrounded by a series of eight trigrams, known as Palgwae in Korean or Bagua [八卦] in Chinese. A trigram is symbol made up of three horizontal bars. The bars can be either solid or broken and each combination has a particular symbolic meaning. In Chon-Ji Teul, the first part, symbolising Heaven, and the second part, symbolising Earth, each consist of eight movements, which is the number of trigrams in the Palgwae, seen surrounding the Taegeuk. Furthermore, the last part of Chon-Ji contains three movements that coincide with the number of bars in a trigram.

Whether Chon-Ji Teul does refer to the Palgwae is speculative as the ITF Encyclopaedia does not directly refer to it. Regardless, it is clear that Chon-Ji Teul is full of deeper philosophical meaning worth exploring. As "the initial pattern played by the beginner," Chon-Ji sets the practitioner within a specific worldview. It is a worldview based on ancient Oriental and Korean philosophy. The Chinese Taijitu depicts a universe in balance and the Korean Taegeukdo shows Heaven and Earth in balance. The Sam Taegeuk depicts man in blance with Heaven and Earth. There is therefore a possible ascetic interpretation to Chon-Ji Teul: Through the study of Taekwon-Do a human being is to attain harmony with him or herself, and harmony with the universe. This journey towards harmony starts with the initial pattern in Taekwon-Do. This would imply that innate to Taekwon-Do is a quest for achieving harmony: harmony with onneself, harmony with other people, harmony with the Earth, and harmony with Heaven.

An interesting side note may be that a trigram is embedded in the SA-ITF’s logo[2]. Noting that the trigram is a symbol from oriental philosophy, the SA-ITF Constitution explains that the trigram represents the philosophical underpinning of Taekwon-Do, known as Moral Culture. In the logo the top bar of the trigram represent the “spiritual creation and heaven”, the middle bar represents the “human race” and the bottom bar represents the “physical creation and fauna and flaura”.

You can read a more comprehensive version of this post in Issue #18 of Totally Taekwon-Do Magazine, starting on p. 45.

Footnotes:

[1] “Teul” is Korean word for pattern. Hyeon and pumsae are synonyms that are also sometimes used.

[2] The explanation of the meaning of the SA-ITF logo was primarily done by Boosabeomnim Chris van der Merwe during his involvement as the SA-ITF’s Director of Constitutional Affairs.

Works Cited:

Choi Hong-Hi. ITF Taekwon-Do Encyclopaedia
Marc Tedeschi. Taekwondo: Traditions, Philosophy, Technique
SA-ITF Constitution

17 July 2009

Chon-Ji Teul

Chon-Ji means literally "the Heaven the Earth". It is, in the Orient, interpreted as the creation of the world or the beginning of human history, therefore, it is the initial pattern played by the beginner. This pattern consists of two similar parts; one to represent the Heaven and the other the Earth.

Chon-Ji Teul as performed by Jaroslaw Suska and Master Phap Lu.